Lesson: The theme of the importance of place to identity, by analysing Jackie Kay’s poem, ‘In My Country’.
Students: Sec 2s, Mixed Ability, 34, with students who are visual, audio and kinesthetic learners.
Pre-requisites:
· Understand what constitutes a ‘theme’ in a literary piece.
· Understand the meaning of ‘tone’.
Lesson duration: 90 MINS (3 periods)
Learning Objectives:
- State and respond to the ideas, themes and issues in poems
- State the writer’s tone and evaluate how it relates to the themes and issues in the poems.
- Analyse the linguistic choices made by the poet and their effects ( how it makes the reader feel, the mood of the poem, etc)
- Create a poem of their own, using the techniques such as tone, choice of words/phrase and themes.
| Procedure |
10MIN | Starter Write "where do you come from?" on the board and ask students to jot down their responses which can be as literal or metaphorical as they like. Pair and share ideas, then share with the class as a whole. Ask students: Why does it matter where you come from? Give them time to think, and call on a few students and write their responses on the board. |
15 MIN | Show students the song, “This is Home” by Kit Chan. http://www.youtube.com/watch?v=qTkVG6lWvwY Distribute lyrics of song to students: http://www.justsomelyrics.com/809361/Kit-Chan-Home-Lyrics Ask students to think about: -What is the song about? -What are the descriptions used to describe, “Home” -How do you feel after listening to the song? Students to jot down these points and share it with their partner. Explain to students poems are like songs too, and they convey certain themes and ideas through the careful use of words and descriptions. |
15 MINS | Explain to students that they are going to look at a poem called 'In My Country'. Distribute handout of poem and ask students to read the poem quietly to them, once through. Call on some students to read it out aloud. Once, they are done, let students listen to the audio-recording of the poem, recited by the poet herself, Jackie Kay. (Skip the self-introduction of the poem) http://www.poetryarchive.org/poetryarchive/singlePoem.do?poemId=5685 Ask students to pay take note of following points: 1) Pay attention to the tone of her voice & the emphasis of certain words? 2) How do you feel while listening to the poem? 3) How does it affect your understanding of the poem? |
25 MINS | Split students into groups of 4 or 5 and assign them to analyse and discuss the poem Students are to: 1) Look at the words and phrases used in the poem and discuss what they think the poet means by each of them? How, for example, can a river be "honest"? What does that choice of words tell the reader? They may need access to dictionaries for this part of the lesson:
2) Think about the perspective of the author, what is the writer’s tone? 3) What are the themes presented in the poem? 4) How are these themes presented? Through word choice? Through the writer’s tone? They might have questions of their own - these should be jotted down too On the mahjong paper, students are given the choice to present their points in any way they like, through a mind-map, pictoral representation,etc. Once students are done, call on groups to present on their points and discuss the points mentioned. |
15 MINS | Now, let students listen to the introduction of the poem & let students listen to the poem recitation again. After this comes to mind, Ask students again, knowing the “background” knowledge, does it affect their understanding of the poem? For example, She says that it's a poem about "being black and Scottish". Ask students to think about these questions: - Do we know this when we hear it or read it? - Does it only have that one meaning? - Could it be about not fitting in, regardless of colour or nationality? Ask them to write down their points down and discuss it in their groups. After this is done, call on a few groups to share their ideas. |
| Follow up task: Linking students back to the idea of ‘Home’ and the poem, ask students to compose a poem (in any style they wish), titled “Where I come from…” (Students have to take into account of their language use and the themes they will like to bring out, there is a lack of emphasis in rhyming scheme) . OR Pick a poem that personally speaks to them and write an analysis of the poem. |
Adapted from: Alison Smith’s lesson
http://www.poetryarchive.org/poetryarchive/singlePlan.do?planId=11173
http://www.poetryarchive.org/poetryarchive/singlePlan.do?planId=11173
Lesson Rationale:
The idea to start of the lesson with such a popular National Day song to the lesson is to pre-empt students on the importance of place and its relations to feelings and identity, through the use of a song that they are familiar with.
When students read and then, listen to the “Spoken” poem, they are able to get a different ‘feel’ and consequently, ‘viewpoint’. Thus, this pushes their thinking and invites them to think through the “written” poem further, and this might be slightly advantageous to learners who are auditory.
The teacher is involved in the learning process and instead of “instructing” students what to do. The teacher is actually guiding and working with students. The leading questions to guide the students, follows the Thorndike approach in the sense that it follows a set list of questions that literature teachers ask students when they are analysing a poem. This provides a “structure” or “model” that will guide students’ engagement with the text in a rigorous manner, attending to specific details of the text. Instead of just giving them a poem, and ask them to analyse them poem whichever way that best suits them.
The second part of the poem analysis introduces the “background” of the poem, embedded in the social context. Dewey states that Schooling is a way of life – “Education, therefore, is process of living and not a preparation for future living” (19) . Therefore, this part introduces the idea of the importance of place to identity, and the issue of ‘race’ and nationality is at the forefront.
Students are then able to think critically of the issues presented in the text, and engage in the Freirean “dialogic education”, whereby students are aware and respect other individuals who have different set of identities and experience. The type of discussions (pair-work or group work) varies depending on the difficulty level. In addition, discussions which are relatively personal and simple can be done in pairs. In addition, pair discussions provide a greater intensity of discussions, and would probably be the most “democratic” because each individual has an EQUAL say (for most cases).
In a way, the poem is not taught in a ‘classroom vacuum’, but relevant to the “concrete realities” of students. ( Singapore students might think about how they react to non-locals, or how foreign students in Singapore might think of how they are treated by their fellow Singaporean peers.)
At the end of the lesson, students are encouraged to consolidate what they have learned in the lesson and they are given the choice to compose a poem or choose a poem which personally speaks to them. By having activities that are directly relevant to their lives, learning poetry education is not just a “means to an end”, but a “means” in itself, a “means” to understand their own lives.
Handouts:
‘Home’ by Kit Chan (song)
Whenever I am feeling low
I look around me and I know
There's a place that will stay within me
Wherever I may choose to go
I will always recall the city
Know every street and shore
Sail down the river which brings us life
Winding through my Singapore
Chorus:
This is Home, truly
Where I know I must be
Where my dreams wait for me
Where that river always flows
This is home, surely
As my senses tell me
This is where I won't be alone
For this is where I know it's home
When there are troubles to go through
We'll find a way to start anew
There is comfort in the knowledge
That homes about its people too
So we'll build our dreams together
Just like we've done before
Just like the river which brings us life
There'll always be Singapore
Chorus:
This is Home, truly
Where I know I must be
Where my dreams wait for me
Where that river always flows
This is home, surely
As my senses tell me
This is where I won't be alone
For this is where I know it's home
Chorus Repeat
This is Home, truly
Where I know I must be
Where my dreams wait for me
Where that river always flows
This is home, surely
As my senses tell me
This is where I won't be alone
For this is where I know it's home
(For this is where I know, I'm HOME)
I look around me and I know
There's a place that will stay within me
Wherever I may choose to go
I will always recall the city
Know every street and shore
Sail down the river which brings us life
Winding through my Singapore
Chorus:
This is Home, truly
Where I know I must be
Where my dreams wait for me
Where that river always flows
This is home, surely
As my senses tell me
This is where I won't be alone
For this is where I know it's home
When there are troubles to go through
We'll find a way to start anew
There is comfort in the knowledge
That homes about its people too
So we'll build our dreams together
Just like we've done before
Just like the river which brings us life
There'll always be Singapore
Chorus:
This is Home, truly
Where I know I must be
Where my dreams wait for me
Where that river always flows
This is home, surely
As my senses tell me
This is where I won't be alone
For this is where I know it's home
Chorus Repeat
This is Home, truly
Where I know I must be
Where my dreams wait for me
Where that river always flows
This is home, surely
As my senses tell me
This is where I won't be alone
For this is where I know it's home
(For this is where I know, I'm HOME)
In My Country by Jackie Kay (Poem)
Walking by the waters,
down where an honest river
shakes hands with the sea,
a woman passed round me
in a slow, watchful circle,
as if I were a superstition;
down where an honest river
shakes hands with the sea,
a woman passed round me
in a slow, watchful circle,
as if I were a superstition;
or the worst dregs of her imagination,
so when she finally spoke
her words spliced into bars
of an old wheel. A segment of air.
Where do you come from?
‘Here’, I said, ‘Here. These parts.’
so when she finally spoke
her words spliced into bars
of an old wheel. A segment of air.
Where do you come from?
‘Here’, I said, ‘Here. These parts.’
P/S: My apologies for the lengthy post. :)
Hi Afiah,
ReplyDeleteThis lesson could definitely be used for an NE lesson as well and the first half of your lesson plan was my submission (together with Serene's) for the Meranti project without reference to yours that is. Great minds think alike. Haha.
That aside, I feel that the point of entry for these students using the song HOME is a great one as the students would be able to recognize the song immediately and relate to it. At a lower level, the students would think about the meaning behind this song it is a simple song for them to engage with. Perhaps you could also ask what home means to them (as there may be students from other countries as well) and delve a little deeper with the questions.
Personally, I like the poem "my country" and I think that it should constantly be compared to the song Home as a reference so that student can clearly see the differences/similarities between the two. The river is used in both poems, so perhaps you could highlight that as well. You could also ask the students if they can relate to the second poem as it deals with a marginal group. What are the marginal groups in Singapore? Would they be able to relate to the poem by Jackie Kay?
One last point. Asking the students to write a poem would be a different lesson altogether in my opinion as they are in a lesson of meaning making and deciphering poems rather than writing a poem. So the second instruction should be used instead as it is more relevant to the class. Using both the poems learnt in class today, analyse them. Clear guiding questions should be given so that they know what to expect of them as they are Sec 2 students. I feel the second instruction for assessment is more relevant to them and would test their understanding of the two poems and it is a deliverable directly related to your lesson. :)
Based on my rubric, you would score an 18/20 (2 points taken off just for the assessment part)
That's all. :)
good stuff that's so close to the heart! i like it that you used the local song as a text.
ReplyDelete:) it definitely brings the students to look at how local texts are around them (they can be so oblivious) and that they can be critically read.
Very interesting lesson, Afiah. I like the opening "hook" (though I hate the song "Home") because I suspect the song might appeal to students and its lyrics are relatively simple to comprehend and interpret. That you've given only 15 minutes to the discussion of the song lyric suggests that you think it lends itself to a pretty straightforward interpretation. (Or does it?)
ReplyDeleteI've posed this question to others (see my comments on Joel's lesson, for example): Is your intended task ultimately a conventional "practical criticism" exercise on a written text or a multimodal analysis of a multimodal rendering of the text? If the latter, would you then say that the music and video serve essentially to motivate students to pay attention to the printed text?
(By the way, I take issue with Multiple Intelligences theories and the idea that "auditory learners" need to listen to learn more effectively - but i'll reserve those comments for class. Meanwhile, you can check out the blog post on Gardner's theory.)
In the second part of your lesson, you move on to a much richer poem by Jackie Kay. By "richer" i mean that the poem is capable of, for instance, inspiring both nationalist sentiments (as "Home" does) and skepticism about the meaning and meaningfulness of nationalism. What is your reading of the poem?
Given this poem's complexity, therefore, I think 25 minutes is too little time to do it justice. The 15 minutes you recommend for the next activity (which looks at how background extra-textual knowledge might influence readers' response to the poem) is again too short, perhaps, given that you're dealing with a challenging learning outcome that is implicit here - that is, realizing that a poem's meaning need not necessarily inhere in the text alone, as the New Critics would argue.
So on on the whole, this is a good start for a lesson UNIT that could be spread across a few lessons. In other words, your aims and outcomes are a bit too ambitious, in my opinion, for the space-time of 90 minutes.
Dear Shehnaz,
ReplyDeleteThanks for your comments!, I found them really insightful and useful : )
well, actually Serene was the one who suggested the use of the song, ‘Home’, so she’s the great mind. Hehe.
And, I didn’t realize that river was a recurring image, and, yes, that’s a great suggestion of asking students to look at marginal groups and how they can relate it to the Jackie Kay poem.
Ah yes, I had some problems with the assessment activity myself, your suggestion sounds so much workable and relevant. :)
Afiah
Dear Melody,
ReplyDeleteThanks Melody! Yes, it will be good to present a different viewpoint to the students. :)
Afiah
Dear Warren,
ReplyDeleteThanks for all your comments, I found them helpful , in the sense that they helped me to revisit certain assumptions I had when I was drawing up this lesson plan.
I’ll address some of the questions you raised. : )
1) I allocated 15 minutes to discuss the song lyrics because I just wanted a straightforward analysis of the lyrics, and the song was used as a “tune-in” activity to get the students to relate to the poem that was to come later. To draw some sort of connection.
2) I think the purpose of the task was a
"multimodal analysis of a multimodal rendering of the text" between the poem in the printed form and the spoken poem ( not so much on the video), I was focusing more on how tone influences one’s interpretation of the poem.
3) My reading of the poem is more about a poem about how some people are skeptical of a person’s sense of “belonging” to the country, solely but how one looks and not by how one feels about the being a citizen or how one is emotionally connected to a place. And, the kinds of emotions that these people deal with when faced with such skepticism from fellow “locals”.
4) Yes, I will have to agree with you that the time is a bit short for my tasks. I might have been over-ambitious and I am assuming that the students will be able to get the kind of responses within a short period of time. Because I have never really planned and taught a proper literature lesson, I am not sure how long a task will take or how much time I should allocate for a particular task for it to be carried out well. I guess when I start teaching, I will be less ambitious and play around with the time and see what works best, it’s all about trial and error right? Because it all depends on the students and each class is different.
As you mentioned, this is a good start to a Unit plan that could be spread across a few lessons, and yes, that is a better suggestion than cramming it all in one-lesson, because then, it would allow more time for student responses ,evaluation, consolidation and reflection. :)
Afiah